Modified Fostex headphone (w)

Modified Fostex T50Rps have been accepted in the Head-Fi community for a few years now, and has grown massively over the past 12 months, spouting two/three sellers that offer their own versions of the T50Rp headphones, ourselves included. All of these adaptations use the same Fostex driver, modified using a multitude of materials and hundreds of hours of fine tuning to produce a finished product available for purchasing. The Head-Fi DIY community also offer a vast array of modification explanations aswell as a combination of these modifications.

Aswell as the three main sellers of these headphones, there are individuals whom modify the Fostex headphones for their own liking and sell the headphones themselves, while they aren’t as polished as the bigger sellers, they offer a little charm and a listen into the previous owners sound preferences, I picked up this pair on Head-Fi, it is a Rastapants mod variation from the early days of Fostex modification.

It’s very clear from first glance and holding these headphones that a lot of love, care, attention and hard work have gone into them, from the finish of the cups, to the Viablue jack and splitter, the attention to detail gives a very professional finished product. The headphones use an un-modified Fostex headband, the cups have a glossy white finish, the cable is a mogami 2534 sleeved with techflex, with a Viablue 3.5mm jack. They’re  are quite heavy, but not worryingly so, in-line with most other planar magnetic headphones but not quite as burdensome as the LCD-2 or HE-500.

The headphone can clearly be recognized as T50Rps from a distance, the headband and sliders are unchanged from the original design, the cups are modified with both a paint job and original 3.5mm jack removed, the cable now leaves from the bottom of both cups, different from the original single sided interchangeable design of the vanilla T50RPs. Build quality is identical to the original T50Rps, smooth, metal sliders for headphone adjustment, a large rubber headband with excellent flexibility. I’ve always been a believer of Fostex’s build quality, it is definitely up there with the best, and I’ve not had a Fostex fail on me yet!

The cable for me, is flawless, often I find the cable on headphones to be too large, stiff and unwieldly, I often resort to rolling it up and cable tying it into a spindle, I’m unsure where the market is for these behemoth cables that are common in retail headphones, but I’m certain some appreciate these mammoth cables, I however, appreciate a petite, well sized cable for desk use. The cable is 7 feet long, 5.5 feet of the cable is a stiff, thick (1.2cm) braid, not quite as flexible as I’d prefer however very rugged. The braid terminates in very sturdy, metal Viablue Y-splitter, and continues to the cups in a flexible helix rubber cord. The combination of rugged and flexible near the cups gives what I believe to be a perfect cable, but of-course, mileage may vary.

The STAX pads that finish the product is a cherry on the cake, the dark brown sheep leather give it a charm that’s hard to come by in most headphones, and seem to engulf the cups in their leathery goodness.

The headband doesn’t offer much in the way of padding, and isn’t very comfortable at all, most who modify the T50Rps tend to go for a suspension headband, or add padding. Overall the headphone is comfortable.

Isolation is above above average, not quite as closed as some of Beyerdynamic offerings, or an on-ear heavily clamping approach as seen on the Sennheiser HD-25s, however better than most closed designs I’ve tried. The STAX pads definitely help isolate from outside noise.

These modified T50Rps are some of the best I’ve heard, they’re in the HD600/DT-880 600 price category and yet hit way, way above their weight, The sound signature is very balanced with a warmness to it, a little low-end happy for my tastes but the mids are near-perfect, lush and accurate, as good as any other planar magnetic I’ve heard to date (LCD-2/HE-500), the bass is a little too full, as this modification uses a Rastapants variation (heavy on the low-end), it is expected. The treble rolls off quite steeply yet is presented very well in most recordings, if a little dry sounding due to the low-end emphasis, not quite as full as the bass, or as lush at the mids, but fairly well displayed.

The soundstage is extremely well extended in all ways, not extremely wide but very deep, one of the best I’ve heard in any headphone, I attribute this to the Stax pads which offer a very large depth distance and are slanted. The sound is very airy as with most modified Fostex, and gives an open presentation while being closed.  Seperation is ample, I never felt any part of the recordings I listened to mushed into another, and if they did it was true to the recording, I’ve not heard a planar magnetic to have poor seperation which stands true to this day. Sibilance is non-existant, resonance can be heard in some recordings but is very uncommon.

The sound isn’t as refined compared to other Fostex modifications, but overall the sound is very pleasing, it does just about everything right other than the ecstatic low-end, transparent and engaging, while being comfortable and offering a well isolated experience.

People often compare these modded orthodynamics to the LCD-2, and I feel that that is a bit cliché, but I’ll go ahead and agree with that statement, it’s difficult to digest when someone compares a headphone costing close to the HD600s, yet delivering sound close to $1,000 planar magnetic headphones, and modified Fostexs don’t do everything quite as good as its bigger brothers, the bass while being full and isn’t quite as good as high-end planar magnetics, and the treble roll off is a little less elegant too, but surprisingly it does some things better (soundstage being most notable).

Koss Pro DJ 100 Review

A sub $80 closed headphone with emphasis on portability and DJ usage, how will they stack up against other cans in a crowded price range?

Disclaimer: All pictures are taken with V6 pads.

Packing on the Koss DJs (Koss DJs is how I will refer to these headphones throughout the review) is uninspired cardboard with no accessories other than a 3.5mm to 6.3mm adapter which is expected for a headphone of this price point.
The headphone itself catches the eye with a great finish and a mostly metal construction, a far cry from the normal plastic assembly of low priced headphones or even more expensive ones, a definite breath of fresh air.

The overall build quality and design of the Koss DJs is extremely admirable with machined metal cups and a very sturdy design, the headband has an average amount of flexibility and can be contorted to offer less or more clamp force on the ears, I was less impressed with the slider and thought it was a little loose at times however it offers audible and tactile feedback.
The headphone cups can be angled and tilted to various positions making them great for portable and one handed use for DJs.
Under the pads reveals a continuation in the strong build quality unveiling four screws and 15 vent holes for the driver, could this be a possible modding delight?

Onto to the design, Koss have gone for a sleak, subtle architecture with silver highlights connecting the cups and headband giving it a modern look and feel.
The koss logo is seen on the cups and headband along with subtle prints on the hinge, it isn’t as bold as other headphone designs tend to be and I admire Koss for it.

On the bottom of the right cup is a stereo/mono switch which for normal listeners will quickly be forgotten, but will prove useful when used as a DJ headphone.
Unlike its bigger brothers (Tony Bennet special edition and DJ Pro 200s) the DJ 100s do not come with a detatchable cable but rather a 4ft coiled cable which I found the quality to be non-exceptional, it is very flexible however it does suffer from a very strange case of microphonics, when the cable is slightly twisted near the headphone cup you hear a noise I can only describe as a door squeaking, I’ve tested two DJ 100s and both had this issue. Another quick note is how they sit on the head, they look a little wide with large gaps above the cups/near the headband which could be an issue for some folk, especially if intended for portable use and outdoor listening.

Isolation was above average with the DJ 100s getting a seal quickly most of the time, but comfort is another story.
The stock earpads supplied on the DJ 100s are some of the worst I’ve come across in recent memory with very little padding and a circular shape made for non-human ears, when using the stock pads I was agitated often and had to constantly reseat them, the pads were too small and too thin which led to them not enveloping my ears or leaving the driver cover pressing against the antihelix on my outer ear.
Fortunately the Dj 100s fit a variety of different earpads including easily acquired Sony V6 and Audio-Technica M30 and M50 pads, I picked up a pair of V6 pads and applied them easily with no hassle or third party materials, the comfort was improved tenfold with the sound slightly improving aswell, especially in soundstage, and with that in mind let’s get onto the sound.

The forward mids completely steal the show on the Dj 100s which surprised me given the DJ branding and emphasis on the headphone, vocals and piano sound full and natural with a slight warmth.
Given the broad n-shaped frequency response the lows/highs are a little recessed however I found the bass to be punchy and accurate with the treble sounding a little bare.
Soundstage could have been improved though, male vocals felt a little distant despite the forward mids, a wide but 2-dimensional in-head stage giving a familiar closed headphone sound.

I tried the DJ 100s on a varied selection of sources and amplification from portable to home audio setups, surprisingly the DJ 100s scaled incredibly well with amplification, I was generally unimpressed when listening from an mp3 player without amping (Sansa clip/Desire HD), however when stuck into a FiiO E10 the bass tightened up with the distant vocals coming forward giving an overall better sound package but with the treble still sounding a little dry.
I stepped up the amplification to something a little higher end starting with the Little dot MK II and ending with a Schiit Lyr and although the DJ 100s aren’t intended to be used with amplifiers of any sort, it certainly didn’t sound that way, the more power you put through them the better and more well rounded and transient they get, the Schiit Lyr was unfortunately the beefiest amplifier I had at hand at the time of review but I would have loved to have gone higher.

Throughout the review I felt the DJ 100s are missunderstood, the name and design choices indicate a bass emphasized sound signature however that isn’t the case at all, and with an earpad change the DJ 100s are a great mid centric headphone and I enjoyed my time with them listening to acoustic, vocal, easy listening and vocal heavy electronic and would recommend them in that price range as a good all-rounder with forward mids and tight lows, however let down by the stock earpads.